FXRant

Gerrit Van Goethem of VisualFXBlog interviewed little ole me for his excellent website. We talk about all the work that went into creating...

Here's a bright idea on how to 'protect our children,' from some wacko gun nuts: Is it me, or does it seem like this guy is play...

Barbara Robertson interviews "Transformers'" visual effects supervisor Scott Farrar in a new article on Studio Daily's we...

VFXWorld has posted an article about the upcoming ADAPT Montreal conference, and they have some wacky quotes from yours truly. Be sure to c...

Variety profiles the amazing Keiji Yamaguchi about his work on "Transformers." Keiji was an absolutely important part of the suc...

From Joshua Starnes' review of "Transformers," from ComingSoon.com: Once the Transformers do show up, though, they look fanta...

From Tom Keogh's review of "Transformers," from The Seattle Times: "Transformers" quickly rediscovers its bearings ...

From Devin Faraci's review of "Transformers," from Chud.com: What makes "Transformers" special is the quality of th...

From Garth Franklin's review of "Transformers," featured in Dark Horizons: Awe-inspiring spectacle and practically flawless v...

From Eric Alt's review of "Transformers," from Premiere Magazine: The real draw here is the special effects, and they are as ...

From Paul Arendt's review of "Transformers," featured on the BBC: The transformers themselves are charming creations, rendere...

From Sean Axmaker's review of "Transformers," featured in the Seattle Post-Intelligencer: It's all about the sheer viscer...

Ben asks, in the comments of this post ( "Nonstop Feast of Coolness" ): Do you mind breaking down which effects houses worked on ...

Barbara Robertson interviews plenty of ILM'ers for an article for Computer Graphics World , covering our work in "Transformers....