FXRant

The gang behind my favorite movie podcast asked me to be a guest on the show, and it was scientifically impossible for me to be more giddy a...

Anthony Breznican from Vanity Fair asked me if I could take a peek at a shot from "The Exorcist" (1973), and get my thoughts on i...

watch Part 1 on YouTube I was thrilled to be a guest on Corridor Crew’s “VFX Artists React” YouTube series. Watch Part 1 here. Watch Part 2...

I was on KPIX CBS San Francisco to talk about visual effects in the "Mission: Impossible" film series. I didn't work on "...

I was the compositing supervisor for Industrial Light & Magic's work on "Dungeons & Dragons: Honor Among Thieves". The...

illustration by Graham Edwards update, May 2023: Since Cinefex shut down, this article had been inaccessible. I've resurrected it and r...

This edit in "Seven" (1995) is gorgeous. A rare moment of direct sunlight in an overcast, rainy, dark film at a moment when Mills ...

It was my pleasure to talk with Jamie Benning to talk about all things filmmaking and visual effects on his Filmumentaries Podcast. Nearly a...

watch on YouTube A lovely example of "what's in the frame is the entire universe" from "Men in Black" (1997). Look h...

I was thrilled to be a part of Vulture's inaugural "The Stunt Awards". The folks at Vulture, like myself, believe strongly in ...

It's time for the  Awesomest Oscar Pool Ballot In The History Of Oscar Pool Ballots. Every year  I create a special ballot based on a ty...

this page is periodically and (hopefully) frequently updated Over on social media, I provide an extensive and exhaustive chronicle of movie ...