New Google Phone Service Whispers Targeted Ads Directly Into Users' Ears
I particularly love the jab at Yahoo! at the end of the piece.
A blogtacular blog filled with words, images, and whipped cream on top. Written by Todd Vaziri.
The banner image for Gizmodo's review of "Star Trek."
The flares weren't just happening from on-camera light sources, they were happening off camera, and that was really the key to it. I want [to create] the sense that, just off camera, something spectacular is happening. There was always a sense of something, and also there is a really cool organic layer thats a quality of it... There are something about those flares, especially in a movie that can potentially be very sterile and CG and overly controlled. There is something incredibly unpredictable and gorgeous about them. It is a really fun thing. Our DP would be off camera with this incredibly powerful flashlight aiming it at the lens. It became an art because different lenses required angles, and different proximity to the lens. Sometimes, when we were outside we'd use mirrors. Certain sizes were too big... literally, it was ridiculous. It was like another actor in the scene.
We had two cameras, so sometimes we had two different spotlight operators. When there was atmosphere in the room, you had to be really careful because you could see the beams. So it was this ridiculous, added level of pain in the ass, but I love... [looking at] the final cut, [the flares] to me, were a fun additional touch that I think, while overdone, in some places, it feels like the future is that bright."We've done it," said senior producer Julie Snyder, who was personally interviewed for a 2003 This American Life episode, "Going Eclectic," in which she described what it's like to be a bilingual member of the ACLU trained in kite-making by a Japanese stepfather. "There is not a single existential crisis or self-congratulatory epiphany that has been or could be experienced by a left-leaning agnostic that we have not exhaustively documented and grouped by theme."
Oh, and sometimes I want to strangle the FM dial when I hear Carl Kasell's voice giving the national news in the mornings. His slurpy delivery, his clearly audible shuffling of papers, his monotone readings, they all drive me into a rage.